Oxford University Press, the publisher of the Oxford English Dictionary, has apologized for what it called “a coincidence of the worst kind” after the dictionary’s Web site named “bloodbath” as its word of the day on Tuesday, after last week’s deadly shootings in Newtown, Conn.
Oprah Winfrey says her Book Club grew out of a desire to talk to authors after finishing their books. While the original version of the club ended when Winfrey's television show went off the air in 2011, it has now been rebooted online and on the new Oprah Winfrey Network as Book Club 2.0.
I did the math.
Of the New York Times‘s 100 Notable Books of 2012, there are 39 women, 16 authors of color, and only seven women of color. Of their 10 Best Books, there are three women and one writer of color, who is also the list’s only woman of color. The numbers are striking.
Like many of his third-grade classmates, Mario Cortez-Pacheco likes reading the “Magic Tree House” series, about a brother and a sister who take adventurous trips back in time. He also loves the popular “Diary of a Wimpy Kid” graphic novels.
But Mario, 8, has noticed something about these and many of the other books he encounters in his classroom at Bayard Taylor Elementary here: most of the main characters are white. “I see a lot of people that don’t have a lot of color,” he said.
The decision to sell a piece of North American history has sparked intense debate at Old South Church in Boston. The church's historian says the book is simply not theirs to sell.
Gary Ross has penned and directed some big Hollywood hits like Big, Pleasantville and The Hunger Games. But for the past 15 years, his obsession has been something much more personal: a Dr. Seuss-ian children's book called Bartholomew Biddle and the Very Big Wind.
It started when Ross got a call in 1996 from fellow screenwriter David Koepp. Koepp was up against a tight budget and approaching deadline with his debut directorial effort, The Trigger Effect. Its heroine had to read an as-yet-unwritten bedtime story to her child.
Koepp wanted Ross to write that story. "The only thing is, I don't have any money," he told Ross. "So it has to be for free, and I've got to shoot the day after tomorrow."
Full piece (7 minute author interview on NPR)
If you listen to the author interview you find out he created part of the fictional book for the movie The Trigger Effect. I assume they did not use a real children's book to avoid paying royalties.
The site unglue.it has a few more books they are trying to unglue. One is - So You Want to Be a Librarian. See unglue.it for more details.
On the Media has an episode each year that focuses on books. The entire program is one hour and you can get the MP3 here.
You can see all the individual episodes here.
The individual episodes are:
Publishing: Adapt or Die
How Publishing and Reading are Changing
No Pulitzer Prize for Fiction
Is Amazon a New Monopoly
Are Publishers Stuck in the Past?
The Story of Pottermore
Taking on Amazon
The Problem of Knock Off Books
Steal My Book Please
Life After Publishers
The lessons of Indie Rock for the publishing industry are pondered in a post at The Scholarly Kitchen,
"Whenever you buy a record from just about any indie band, it comes with either a CD or with a card that contains a URL and a download code so you can get a digital copy at no additional cost...
If implemented in the right way, publishers could kill two birds with one stone: they could support a mechanism for downloading e-books purchased in conjunction with hardcovers that not only makes their best customers happy and extends the life of hardcover sales, but that actually fosters competition in the ebook marketplace."