Elizaabeth Christian writes \"Is the death of Photopoint an Archives, Library issue ?
Started as a dot com venture capital business by one intrepid visionary, providing unlimited storage in albums for photographs from everywhere, by the time it closed this month it was the repository of an amazing photographic archive, well organized, with editing options, and most important online data for the photographs.
Some people are just finding out their precious photos are gone..they trusted, later paid.
Some links on Photopoints recent demise.In my opinion, this is an in credible international archive of photos, especially US photos, and some nonprofit should step in to preserve the archive, and then sell discs of albums back to the users....assumng the archive still exists.
Warning about \"free\" on the net. People just will not pay if it was once \"free\" it seems.
A July 2001 post, showing the story up to that point, explaining how paid memberships did not materilaize
Comparative stats on uses when it closed.
More on Giuliani\'s plan to place the records of his administration in the hands of private organization rather than with NYC:
\'\'He\'s removed his papers so that nobody can go down there and look at them. I think that\'s dead wrong,\'\' said former mayor Ed Koch, who said he viewed everything he did during his tenure as part of his public record.
Representatives for Giuliani referred calls to Saul Cohen, president of the center. \'\'The whole purpose is to create a repository for scholars and journalists,\'\' Cohen said, adding that the records - or copies, if the city prefers - would eventually be stored in a library or at a university in the city. Cohen noted that the organization is paying the cost of the archival work and that its work would actually speed public access . . .
From the Boston Globe. Still more from the Village Voice.
From the Chicago Tribune:
The University of California, Los Angeles Library has purchased the literary archive of Susan Sontag, one of the best-known and most influential American intellectuals of the late 20th Century. Sources close to the sale say the library paid $1.1 million for the materials, $440,000 of which is for her personal library. Funds were donated by an anonymous UCLA alumna.
Sontag, 69, was reared in Tucson, Ariz., and Los Angeles but has lived in New York for more than four decades. She said her first choice for placement of her archive would have been the New York Public Library, but added \"it is a source of great pleasure to me that it is going to a place I had a connection with. Southern California has been part of my life.\"
From the New York Times (registration required.):
For most former mayors of New York City, the trip into the dusty files of history began with hundreds of boxes of mayoral papers and artifacts being carted from City Hall across Chambers Street to the Municipal Archives in the old Surrogate\'s Court. There, city archivists undertake a long, slow process of sorting and indexing.
Aides and friends of Rudolph W. Giuliani, however, decided that he deserved better. So, on Dec. 24, just a week before leaving office, Mr. Giuliani\'s staff hammered out an unusual agreement with the city\'s Department of Records and Information Services, giving custody of all of his mayoral papers and artifacts to a private nonprofit group that Mr. Giuliani will control . . .
But the transfer of these items, which remain city property, into the custody of the nonprofit group, the Rudolph W. Giuliani Center for Urban Affairs Inc., has drawn the ire of some archivists and historians, who fear that Mr. Giuliani will try to filter history to bolster his image . . .
\"It\'s particularly a terrible idea, because the Giuliani administration had a very dismal record on making information accessible to the public,\" said Michael Wallace, a historian and co-author of \"Gotham: a History of New York to 1898.\"
From the New York Times (registration required):
The Jerome Robbins Dance Division of the New York Public Library of the Performing Arts at Lincoln Center is one of the city\'s great cultural treasure troves. It is the largest dance archive in the world, with holdings that date back to 1460. But even dance fanatics tend to forget about this research center once known simply as \"the Dance Collection.\"
What could dance, that restlessly vital art form, have to do with dusty tomes pored over in sleep-inducing fluorescent light and in tomblike silence?
Or tried to, anyhow - a flood of genealogists has swamped the servers of the UK\'s Public Records Office, which unveiled the online version of the census this week:
The growing fascination with family history came to the fore this week when an estimated 20m people attempted to access the newly launched online version of the 1901 census.
Designed to cope with just 1.2m visitors a day, the site effectively seized up with a couple of hours and within 24 hours had been withdrawn for a quick overhaul that the Public Records Office said would allow more people to log on.
Plans to put all Victorian census records online are also to be speeded up to meet the obvious demand from a public fascinated with when their relatives were born, married and died and how they lived their lives . . .
An editorial from the London Evening Standard:
The past is a foreign country; they do things differently there. Or so LP Hartley told us in the opening sentence of his novel The Go-Between, published in 1953. But we\'re now keener than mustard to catch hold of all our yesterdays.
Two days ago, the Kewbased Public Record Office was stunned by the overwhelmingly avid response to its decision to put the 1901 census on line (the most recent census released under the 100-year rule that protects individuals\' privacy). I\'m surprised at its surprise. The Public Record Office should have known that, these days, everyone wants to be a DIY historian . . .
This site is just plain cool, it\'s a quirky historical archive of
short, old movies and films (ads, educational, propaganda films, and others)
available in two different formats: .mpg (mpeg-2) and DivX
From Archive.org\'s description:
\"This collection contains movies that the Prelinger
Archives has digitized (about 956 now online) and donated to the Internet
Archive. The films focus mainly on everyday life, culture, industry, and
institutions in North America in the 20th century.\"
Browse through the looong title
list or read \"About
This Collection\". I especially enjoyed the article
by Bart Eisenberg where
the archivist, Rick Prelinger, \"calls himself a \"media archaeologist.\"
Librarian of Congress James Billington has selected 25 films to be added to the National Film Registry. \"Each year Billington chooses 25 that are culturally, historically or aesthetically significant for inclusion in the Registry. For each title named to the Registry, the Library of Congress works to ensure that the film is preserved for all time.\" According to Billington, \"Our film heritage is America\'s living past. It celebrates the creativity and inventiveness of diverse communities and our nation as a whole. By preserving American films, we safeguard our history and build toward the future.\" Click below for the list of this year\'s movie titles. -- Read More
Museums and libraries around the country are hoping to get their hands on artifacts from the September 11 terrorist attacks. The items range from personal memorabilia from victims and survivors, to makeshift flags, cards, notes, photographs, and more. The Smithsonian may receive $5 million in order to collect and preserve the items. A web site may also be created where people from all over the country can submit the email that they sent on that day. More