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Recently two librarians had their accounts torched by Twitter due to coming up in an anti-spam sweep. Their accounts were considered to have been false positives and it took time for access to be restored. Two librarians in particular, Connie Crosby and Patricia Anderson, were affected.
AFTER scanning his textbooks and making them available to anyone to download free, a contributor at the file-sharing site PirateBay.org composed a colorful message for “all publishers” of college textbooks, warning them that “myself and all other students are tired of getting” ripped off. (The contributor’s message included many ripe expletives, but hey, this is a family newspaper.)
All forms of print publishing must contend with the digital transition, but college textbook publishing has a particularly nasty problem on its hands. College students may be the angriest group of captive customers to be found anywhere.
This week, Yahoo Music e-mailed customers who purchased music from their site and let them know that as of September 30, 2008, Yahoo Music will go dark.
And they will take the DRM key servers down with it.
That means that anyone who legally purchased tunes through Yahoo Music will lose the right to transfer that music to other devices or computers, even though they paid for that right.
Microsoft's MSN Music sent a similar notice out earlier this year, but acquiesced to leaving the DRM servers online until 2011.
Once again, this truly provides food for thought for libraries signing up for content services who cripple their wares with DRM. When they decide to leave, they can take their toys with them. Unfortunately, they can also take your toys with them too.
For £70, a father bought his son a present, the web name www.narnia.mobi. The 11 year old is a huge fan of CD Lewis and he used the domain for his e-mail address.
Then the estate of CS Lewis demanded that they hand over the name and WIPO concurred.
The MPAA is taking a heavy hand with piracy, as is the RIAA, but that only covers audio and video. What about books?
According to book publishers the threat of piracy from illegally downloaded text books is growing. Rather than students spending as much as US$100 per book to get the texts they need, they are turning to the Internet to download scanned versions for free.
For U.S. books published between 1923 and 1963, the rights holder needed to submit a form to the U.S. Copyright Office renewing the copyright 28 years after publication. In most cases, books that were never renewed are now in the public domain. Estimates of how many books were renewed vary, but everyone agrees that most books weren't renewed. If true, that means that the majority of U.S. books published between 1923 and 1963 are freely usable.
How do you find out whether a book was renewed? You have to check the U.S. Copyright Office records. Records from 1978 onward are online (see http://www.copyright.gov/records) but not downloadable in bulk. The Copyright Office hasn't digitized their earlier records, but Carnegie Mellon scanned them as part of their Universal Library Project, and the tireless folks at Project Gutenberg and the Distributed Proofreaders painstakingly typed in every word.
Thanks to the efforts of Google software engineer Jarkko Hietaniemi, we've gathered the records from both sources, massaged them a bit for easier parsing, and combined them into a single XML file available for download here.
In the world of broadcast news, it's normally a given courtesy that, when a well known news personality dies, the station they worked for will be the first to break the news after the family has been notified. It's one of the unwritten rules of journalism.
In the case of beloved NBC newsman Tim Russert, Twitter scooped the massive network on the big story.
Turns out that a minor lackey at the station heard the news and, assuming it was public knowledge, edited Russert's Wikipedia page to reflect the death. Someone at the station caught it, which makes me wonder who they pay to watch Wikipedia, and changed it back some eleven minutes later.
By the time they made the changes, the story was already out on Twitter.
The Associated Press, one of the nation’s largest news organizations, said that it will, for the first time, attempt to define clear standards as to how much of its articles and broadcasts bloggers and Web sites can excerpt without infringing on The A.P.’s copyright.
The A.P.’s effort to impose some guidelines on the free-wheeling blogosphere, where extensive quoting and even copying of entire news articles is common, may offer a prominent definition of the important but vague doctrine of “fair use,” which holds that copyright owners cannot ban others from using small bits of their works under some circumstances. For example, a book reviewer is allowed to quote passages from the work without permission from the publisher.
The University of Michigan has begun a project to determine the copyright status of books in it's collection, as described in John Wilkin's blog post.
"At Michigan we're engaged in an activity that I hope will one day seem ordinary and a routine part of library work. Resources from several departments are devoted to determining the copyright status of works typically presumed to be in copyright. For now, we're focusing on US monographic imprints (books, that is) published between 1923 and 1963, but plan to turn our attention to non-US publications in the future. "
In his New York Times column, Paul Krugman reflects on the the digitization of everything and how this will change the economics of publishing as we know it.
"Basically, the Kindle’s lightness and reflective display mean that it offers a reading experience almost comparable to that of reading a traditional book. This leaves the user free to appreciate the convenience factor: the Kindle can store the text of many books, and when you order a new book, it’s literally in your hands within a couple of minutes.
It’s a good enough package that my guess is that digital readers will soon become common, perhaps even the usual way we read books.
How will this affect the publishing business? Right now, publishers make as much from a Kindle download as they do from the sale of a physical book. But the experience of the music industry suggests that this won’t last: once digital downloads of books become standard, it will be hard for publishers to keep charging traditional prices. "