Publishing consultant Mike Shatzkin
In the past several months, readers of this blog from around the world have commented on the unavailability of ebook titles in their territories even though publishers would have the right to sell them. As near as we can tell, this problem often tracks back to big publishers that have gone to agency pricing. (That’s where the publisher sets the price to the end consumer and becomes the seller-of-record rather than the retailer intermediary being the seller.) It would appear that many (if not all) agency publishers have withheld their titles in territories outside the United States, even if they would have the rights to sell in those territories.
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Librarians and library administrators will learn about current best practices for library eBook collections and explore new and evolving models for eBook content discovery and delivery. Publishers and content creators will learn how to effectively identify and develop the ‘right’ content offerings for each segment of the relatively untapped library eBook market. ebook platform vendors and device manufacturers will learn just what libraries need and want in this rapidly changing environment. It's a party and everyone's invited!!
FOUR SPECIAL TRACKS: -- Read More
Excerpt: Some people believe that not only are current copyright laws too stringent, but that the assumptions the current laws are based on are artificial, illogical and outdated.
Among them is Lewis Hyde, a professor of art and politics who has studied these issues for years. In his new book Common As Air, Hyde says he's suspicious of the concept of "intellectual property" to begin with, calling it "historically strange." Hyde backs it up with an impressive amount of research; he spends a significant amount of time reflecting on the Founding Fathers, who came up with America's initial copyright laws.
Hyde is a contrarian, but he's not a scorched-earth opponent of all copyright laws.
It’s no longer illegal under the DMCA to jailbreak your iPhone or bypass a DVD’s CSS in order to obtain fair use footage for educational purposes or criticism. These are the new rules that were handed down moments ago by the U.S. Copyright Office. This is really big. Like, really big.
David Pogue has an interesting opinion piece in the New York Times regarding amateur scanning and archiving of sheet music on the internet...which, naturally, brings up copyright issues. It also touches on whether or not the past generations of information professionals have done as good a job as they should have in preserving non-book materials.
A cautionary tale about copyright, and the automated systems that enforce it.
If you post a video on YouTube, using one of their very own video creation tools, don't you expect it to go up and be viewable without any problems? Because of YouTube's Content ID system, it might not be so easy ...
Read the full story here.
A dead author is making a big splash in the publishing industry. William Styron wrote towering works of literature -- "Sophie's Choice" among them. Styron died four years ago. His work is about to be published as electronic books. But the author's long-time publisher will not be collecting the profits.
At first blush, Costco Wholesale Corp v. Omega, S.A., which the U.S. Supreme Court last week agreed to hear, doesn't involve the kind of cutting-edge issues that copyright lawyers usually grapple with in the digital age. So why is the Court willing to consider a dispute between a company that makes fancy watches and a company that imports and resells them? It sounds like the kind of lawsuit that should have been resolved 200 years ago.
What's at stake in these disputes is the ability of resellers large (Costco) and small (Liu) to offer legitimate, non-pirated versions of copyrighted goods to U.S. consumers at prices that undercut those charged by the copyright holders—something that's possible thanks to the robust secondary markets provided by major Internet retailers such as eBay and Amazon.
One of our teachers received a grant to buy iPods to record her reading children’s books. She plans to share the recordings with her students so they can follow along with the stories. Although audio versions of the books can be purchased from iTunes, is this a fair use?