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The Guardian has put together a composite of library scenes from a variety of movies here, including The Breakfast Club, Ghostbusters, The Squid and The Whale.
There are many reasons we need to save our libraries, not least because of their cinematic history. From thrillers to epic romances to teen comedies, the library is cinema's go-to location when it wants somewhere with history, gravitas and a glass door that can shatter when you scream. They're sacred places, spooky places – they're downright sexy places. Characters can find the meaning of life and death in them, clues to help solve cases in them, or just have a big old sing song in them. With such a rich history, one does wonder what would happen if writers and directors no longer felt the need to use them in films. What would they use instead? The internet can never compete visually – who wants to see their leading man/lady finding out facts on Wikipedia? Discovering the murderer on an app? Searching the shelves of … Amazon? It just won't do.
So sign every petition you can, borrow as many books as possible, keep libraries alive and open, on our high streets and in our cinemas. In other words, don't ssssh.
Many lawyers have fantasized about putting their practice on hold and making a movie, but few actually do it.
Even fewer can say their maiden effort landed them a coveted spot at an internationally renowned film festival.
Ashland, Ore., lawyer Susan Saladoff is that rare lawyer who not only followed her dreams but has bragging rights to boot. Her 2009 film Hot Coffee will be screened at the 2011 Sundance Film Festival in Park City, Utah.
The feature-length documentary is one of 16 selected from 841 entrants for the festival's U.S. documentary competition. It largely focuses on the infamous 1994 McDonald's coffee spill case—in which a jury awarded plaintiff Stella Liebeck $2.86 million in damages after she spilled hot coffee on herself—while also exploring how and why the case has become so iconic.
Dogtooth was nominated for Best Foreign Language Film. It is currently available on Netflix Watch-It-Instantly.
The Enfield Public Library and town officials have reached a compromise that will allow a screening of the Michael Moore documentary "Sicko" about the American health care system.
Mayor Scott Kaupin tells The Associated Press that the library will show the movie in the next few weeks as part of a series that will include multiple points of view on controversial topics.
The library last week canceled a planned screening of the movie, which is critical of the U.S. health care system, after the Republican mayor and some town council members objected.
That led to accusations of censorship.
Kaupin says the issue was not whether the film should be shown, but whether the library should offer just one side of the health care debate.
Attention children's book fans and amateur filmmakers: Can you make a video that compresses the story of a Newbery Award-winning book into 90 seconds or less?
Author James Kennedy and the New York Public Library are co-sponsoring the 90-Second Newbery Video Contest, which will culminate in "a star-studded 90-Second Newbery Film Festival at the New York Public Library in Fall of 2011," Kennedy wrote on his website. For an entertaining sample, check out the abbreviated version of Madeline L'Engle's A Wrinkle in Time on the website.
Don't hold your breath for the arrival of "The Sopranos" or "Entourage" on Netflix's streaming service.
Citing a "high-placed Time Warner executive," The Hollywood Reporter reported late last week that the only way for Time Warner-owned HBO to offer its content on Netflix's service is if the rental company charges customers $20 per month, rather than the $7.99 it currently charges streaming-only users. At such a price, The Hollywood Reporter's source claims, Netflix would get a "meaningful amount of HBO content."
Over the course of three years, filmmaker Meghan Eckman tracked the comings and goings of a solitary parking lot in Charlottesville, Va., chronicling the lives of the attendants who were working there. This inspiring documentary is the result. Hanging tough as they navigate the range of human emotion -- from hope to frustration, from a sense of limitless possibilities to stagnation -- the film's subjects embody the pursuit of the American Dream.
If you have Netflix you can see this movie in the "Watch it Instantly" section.
One good line in the movie roughly goes - What is the existential reality of your job? Here is a clip that has that language - http://www.youtube.com/watch?v=zZBH3JkWZaU&feature=relmfu (First attendant talking in this clip is a librarian)
Link to DVD on Amazon: http://amzn.to/fkGHzx
Librarian featured in movie: http://libmma.org/portal/john-lindaman/
Like many technologists, I may have had some vague notion that librarians had something to contribute to discussions about information and metadata and standards and access, but my concept of what librarians did and what they knew probably had more to do with stereotypes and anecdote than on an understanding of reality. Which is a shame. Although in the last few years I think we’ve done a really good job of making clearer connections between libraries and technology, I don’t think anyone is surprised when librarians are omitted from discussions about and between prominent technologists, such as the one facilitated by the Setup. (Note: by “librarians” I mean anyone who works in, with, or for libraries. Hat tip to Eli Neiburger for saying what I’d been thinking, only less clearly, for some time before he said those words out loud.)